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Presale tickets were available in person at Mercury Lounge and through Ticketmaster and Bowery Presents — but only a select few fans got them. They were instantly snatched up and were being resold on the secondary market at a staggering 0,000 a ticket.
LCD Soundsystem front man James Murphy was understandably upset, unleashing a diatribe on the band’s blog with a post titled “Fuck You, Scalpers.” He vented about the unfairness of it all, how he and his bandmates weren’t even able to get tickets to their own show when they tried.
“Some of this will never be able to be improved on,” says Chris Woltman, manager of Twenty One Pilots.
Up until they partnered with Live Nation/Ticketmaster, their methods for combating scalpers and bots were “limited,” but as their fan base surged, they decided to use the available technology to improve fan experience.
On February 5, 2011, New York City’s LCD Soundsystem announced its extravagant farewell. I HATE you,” tweeted the band’s official account the next day.
On April 2 of that same year, the indie collective said that it would play its final show at the highest heights of Big Apple performances: Madison Square Garden. The general tickets became available three days later.
These primary ticketing companies often allow, and even encourage, users to resell tickets, sometimes on their own platforms.
LCD Soundsystem reunited much earlier than anyone expected, playing a circuit of headlining festival shows in 2016.“LCD tickets on stubhub are speculative and almost certainly bullshit, DO NOT BUY THEM.E-tickets aren’t even released until day of shows,” tweeted an angry Al Doyle, a member of LCD Soundsystem. It’s not the last chopper out of Saigon.” (LCD Soundsystem did not respond to numerous requests for comment.) It’s tall talk from a band that ramped up demand just five years earlier by going through the motions of saying good-bye, only to return and face tangential ticketing problems years later.The extent that there’s billion in activity in a secondary marketplace? That’s the primary industry’s weakness and inefficiency and failure to do what we can do for artists and fans.” To the primary market’s credit, some successful initiatives have been taken over the years to curtail this sort of behavior, making it more difficult for scalpers to use traditional methods to cut in line.In March, Live Nation and Ticketmaster announced their Verified Fan presale technology where fans can register ahead of sale dates by providing personal information that’s vetted by the companies.